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Sam Samore (1963); Zhang Peili (1957); Fact Study Institute: Cai Kai (1981), Yan Xing (1986); Jonathan Horowitz (1966); Jonathan Monk (1969); Gonkar Gyatso (1961); Trevor Paglen (1974); Qiu Xiaofei (1977)
zeng hong
Line Up
Tilted Horizon
I've Got Something
Chen Yujun and Chen Yufan
Extended Landscape
Propaganda Pavilion
The Stock Exchange, Weather and Sex
Breaking Away-an Abstract Art exhibition
ART HK 11
Paralysis Agitans Project
ART BEIJING
CIGE 2011
Chen Yujun, Gong Jian, Qiu Xiaofei, Song Kun, Yang Xinguang, Zhang Peili
Place of Games
Chen Shaoxiong, Geng Jianyi, Li Yongbin, Wang Jinsong& Xiaohong, Wang Gongxin, Wang Jianwei, Wang Peng, Xu Tan, Yang Fudong, Yang Zhenzhong, Zhang Peili, Zhou Tiehai, Zhu Jia
Chen Yujun, Qiu Anxiong, Qiu Xiaofei, Song Kun, Yang Xinguang
The Empty Room
Zoo
Point of No Return
Liu Chuang
Art 41 Basel
Trail
Hu Xiaoyuan, Ji Lei, Liu Chuang, Qiu Anxiong, Qiu Xiaofei, Yang Xinguang, Zhan Rui
Liu Chuang,Qiu Anxiong,Liang Yuanwei,Song Kun
Wormhole
Yes, That¡¯s All !
Qiu Anxiong
Art Premiere (booth H6)
Seeing is Believing
Chen Shaoxiong, Gong Jian, Liang Yuanwei, Qiu Anxiong, Qiu Xiaofei, Song Kun, and Yang Xinguang
People¡¯s Park
Consumed
Dharmaguptaka-vinaya: The Discipline in Four Parts
Xi Jia ¨C River Lethe
Liu Xiaodong, Xu Tan, Qiu Xiaofei, Liu Wei, Gong Jian, Yang Xinguang, and Zhang Liaoyuan
Chen Shaoxiong,Hou Yong,Liang Yuanwei,Liu Wei,Qiu Anxiong,Qiu Xiaofei
Xijing Olympics: An Exhibition by the Xijing Men Collective(Chen Shaoxiong, Gimhongsok, Tsuyoshi Ozawa)
BLDG 115, RM 1904
A Gust of Wind
Drowning
House of Recollected Fragments
Chen Shaoxiong, Gong Jian, Kan Xuan, Liang Yuanwei, Liu Wei, Qiu Anxiong, Qiu Xiaofei, Song Kun
James Beckett,Pash Buzari,David Zink Yi
Staring Into Amnesia
Tiger
The Outcast
Forged Realities
Love It, Bite It
Visible and invisible, Known and Unknown
It is my life
Bik Ver Pol ; Chen Shaoxiong ; Chen Xiaoyun ; Fu Jie ; Jia Zhangke ; Kan Xuan ; Liang wei ; Liang yue ; Liu ding ; Qiu Anxiong ; Qiu Xiaofei ; Song Kun ; Sun Xun ; Yangjiang group ; Zheng Guogu
Chen Shaoxiong Ozawa Tsuyoshi and their families
ZHENG Guogu (GuangdongYangjiang), Erik van LIESHOUT (NL), Charlotte SCHLEIFFERT (Xiamen, Rotterdam), Xu Tan (Guangzhou), XU Zhen (Shanghai)
JIANG Zhi (Beijing-Shenzhen), Aernout MIK (Netherlands), ZHOU Zixi (Shanghai)
FAN Di'an, LENG Lin, Karen SMITH, ZHANG Wei, PI Li,AI Weiwei,JIA Zhangke,WANG Jianwei

 

 

Art39Basel

   

Date: 4 June-8 June, 2008
Place: Basel, Switzerland

Qiu Xiaofe,Song Kun,Qiu Anxiong

Boers-Li Gallery is pleased to announce that we will be participating in Art39Basel, one of the world's largest and most prestigious contemporary art fairs held annually in Basel, Switzerland, from 4-8 June 2008.

This year, we will be bringing two prominent young Chinese artists to the Art Premiere section of the fair, for which a limited selection of 16 newly-opened galleries has been chosen. The artists, Qiu Xiaofei and Song Kun, have produced two sets of work specifically for the fair.

Qiu Xiaofei¡¯s piece, entitled Pagoda of the Discarded 1, takes the form of several towering piles of toilets, sinks, urinals, water bottles, and barrels, all sculpted out of fiberglass and painted over with acrylics in the artist¡¯s trademark style. The piece is a memorial for the drifting class of laborers who spend months or years in Beijing: when they leave, they sell all of their basic possessions at secondhand markets, where these old goods pile up into statues and pagodas.

Song Kun¡¯s pieces include three light boxes, a painting, and an installation. Collectively entitled Xi Jia and named after the recurring protagonist in many of Song Kun¡¯s works, these works embrace images of beautiful destruction, tied to the emotional response of the viewer. The viewer is confronted with a mixture of broken glass, cotton balls, light-colored foam, cartoon-like paintings and sketches, and antique baubles. These various pieces realign notions of beauty and maturity by putting them into dialogue with memory and emotion. The installation picks up the narratives begun in the artist¡¯s earlier works: the viewer again sees a fax machine, 1980s disco music, and train windows, all of which belong to the never-present Xi Jia.

Additionally, Qiu Anxiong will participate in the Art Unlimited section of the fair, exhibiting his large-scale installation piece Staring Into Amnesia, first shown in the Boers-Li Gallery space in 2007. The work takes the form of an old-fashioned train car; the windows have been replaced with projection screens constantly playing archival documentary footage, propaganda films, and the artist¡¯s animations, while audio tracks ranging from folk music to sound art loop constantly. The viewer is forced to face a decidedly uncomfortable historical phantasmagoria.

Basel Media Reports

 


If you would like more information about our participation in Art39Basel or have any general questions, please contact us.

Tel: +86-10-6432-2620

Email: info@boersligallery.com

Web: www.boersligallery.com